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Kani Lent is a multidisciplinary artist, filmmaker and researcher based in Berlin.

They utilize various media and archival practices which they  assemble into ongoing time-based media fragment-installations as tools to engage with research areas of (westasian) refiguration and mythmaking, history of perception, contemporary media culture, information circulation, cybernetics and form.

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Exhibition history
Selected exhibitions, residencies, writing

Full CV and Portfolio via Mail

Recent selected shows, writing and residencies:

// Expect the unexpected, Groupshow, Kunstmuseum Bonn

// Afterlives of the empire- Encounters between art and academia residency and exhibition-
developed by Prof. Gesa Stedman and exhibited at Lichhof Ost Gallery, Humbolduniversity, Berlin

// 1,2, on Joyfully waiting- online platform for soundart

// Groupshow at Kunstquartier Bethanien, Berlin

// Hyperstition
group show at Museum for photograpy, Berlin, curated by Marlena von Wedel 
// Let’s See What We Find, group show at Museum für Fotografie, Berlin curated by Sebastian Peter

// Lensbased variety show and tell at Temporary Home @ Documenta 15, screening, Kassel

// Four Walls of My Room, group show at Acud, Berlin

//Collaborative soundpiece on EOS Radio 

// Silver Lining at Halbhaus, Berlin, curated by Kunzten

// A thousand withins, sound piece, Refuge Radio, Berlin

// Artificial Follies, group show at Transmediale / CTM Vorspiel, Silent Green, Berlin 

// ReKin at Photo Schweiz, Zürich

// writing in Para-Educational Papers

// Queer Formats at Xanadu, screening, Berlin
// LORE at Gelegenheiten, group show, Berlin

 

Short Bio


Kani Lent is a multidisciplinary artist, filmmaker and researcher based in Berlin. 

They utilize video, 3D simulation/digital modelling, photography, sound, sculpture, painting and writing as methods to resample reigning lores. 

Lent thinks of their practice as an analogy experienced in occidental tartini notes of technology with the poetic margins at the center.

Through the use of various media and archival practices they assemble ongoing time-based fragment-installations which reflect on their research themes of the virtual, (westasian) refiguration and mythmaking, history of perception contemporary media culture, information circulation, cybernetics and form.  

Continuous collaborations are integral to their practice. 

They studied fine art at the University of Arts Berlin in the class of Prof. Dr. Hito Steyerl and Guestprofessor Mykola Ridnyi. 

Their work has been recently exhibited at Museum for photography Berlin, Documenta 15 at Temporary Home, PhotoInternational Zurich, the Space Gallery San Francisco/Berkeley and Transmediale/CTM, Silent Green Berlin amongst others.